Title
Clarinet Concerto
For
clarinet and orchestra
Alternate Title
  • Concerto for Clarinet and String Orchestra (with Harp and Piano) (Alternate/Synonymous)
Year Composed
1947–48
Scoring
harp-pft-strings
ARCO Number(s)
62
Category
Orchestral
Duration
18'
Movements
  • 1. Slowly and expressively
  • Cadenza
  • 2. Rather fast
Premiere
  • World: New York, November 6th, 1950 (Benny Goodman, NBC Symphony Orchestra, cond. Fritz Reiner)
Commission Info
Benny Goodman
Dedication
to Benny Goodman
Publisher
Boosey & Hawkes
Publishing Status
Published

  • The renowned jazz clarinetist Benny Goodman asked Copland to compose a work for him. The result was a two-movement concerto: the first section is one of Copland's most lyrical and melodious creations; the second is in an all-out jazzy style replete with a glissando or jazz "smear" at the end. The movements are connected by a cadenza for the soloist. Benny Goodman said in an interview, "I always felt good about that commission and about playing the Concerto with Aaron conducting." Since then, many of the foremost clarinetists worldwide have performed the piece.

    Author
    Vivian Perlis
    Year
    1998
  • "The same or similar music" to In Evening Air had earlier appeared in the 1944 piano work Midday Thoughts, in the documentary film score The Cummington Story, and in the Clarinet Concerto, writes biographer Howard Pollack (Aaron Copland: The Life and Work of an Uncommon Man, p.515). The piece shares its title with a 1964 poem by Theodore Roethke, the last two lines of which are printed at the end of the score (Pollack p.410).

    Year
    2018
  • A new edition of this work, edited by Philip Rothman and Vivian Perlis, is now available from Boosey and Hawkes. In addition to the new engraving, original ossia lines have been restored from the original manuscript, providing the performer with the option to perform the concerto as originally conceived by Copland or with the adjustments made for Benny Goodman.